VAPORS OF MORPHINE
A Legacy Reimagined, a Sound Reborn
90’s Low Rock Trio feat original member of Morphine, Touring April & May
With Special Guest, Jeb Caldwell
“Vapors of Morphine proved that an avant-garde band can be faithful to its roots and yet continue to be innovative. — The Manhattan BeatSome legacies are too powerful to fade. The music of pioneering ’90s “Low Rock” trio Morphine, was as hypnotic as it was groundbreaking. Fusing baritone saxophone, 2-string slide bass, and drums into a sound that was sultry, raw, and entirely their own. But when frontman 
Mark Sandman died suddenly on stage in 1999, Morphine’s story seemed to end.
Yet from those ashes, a new sound emerged. Vapors of Morphine isn’t just a tribute; it’s a continuation, an evolution. Formed in the late 2000’s by Morphine saxophonist Dana Colley and multi-instrumentalist Jeremy Lyons, the band continued to evolve and their latest album, 2021’s Fear & Fantasy (Schnitzel Records, UK), represents a new era, blending fresh material with the signature Morphine sound.
The story of Vapors of Morphine is as serendipitous as it is poetic. Years before they met, Colley unknowingly captured a photo of Lyons and his street band in New Orleans, pasting it into his tour journal with a note about their evocative blues sound. A decade later, after Hurricane Katrina forced Lyons to relocate to Boston, the two musicians were introduced, only to discover they had matching halves of the same Polaroid, a moment of fate that sparked their collaboration.
Since then, Vapors of Morphine has grown beyond nostalgia, carving new sonic landscapes while staying true to the moody, intoxicating essence of their predecessor. 
Their live performances are a hypnotic blend of Morphine originals, deep blues, African rhythms, and psychedelic rock that pushes boundaries while honouring the experimental spirit that Sandman championed.
With Fear & Fantasy, Vapors of Morphine embraces both the past and the future. Featuring both Deupree and Arey on drums, the album recalls Morphine’s final masterpiece, The Night, while incorporating lush new textures, electric baritone sax, and haunting two-string slide bass. It’s proof that while Morphine’s original chapter may have ended, the story is far from over.
Contrary to common belief, Morphine wasn’t named for the drug but for Morpheus, the Greek god of dreams. But Vapors of Morphine? Their music is the kind of intoxicating, transportive experience that lingers long after the last note, no prescription required.

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Joining Vapors Of Morphine on all shows (except Gumball Fest) is Melbourne based guitarist, singer-songwriter, Jeb Cardwell. Jeb plays guitar as part of Kasey Chambers’ band and as a solo act has opened for legendary icons Steve Earle and Tony Joe White.

Jeb’s ability to effortlessly blend laid-back vibes with raw authenticity, all while showcasing his mastery of the guitar is the perfect pairing with VoM. An enthralling sonic experience full of captivating and irresistibly catchy grooves.

Jeb’s 2022 debut solo album, My Friend Defiance, was described by Rhythms Magazine as “an album that carries with it the poise and assuredness that comes from two decades of playing, writing and singing with the best of them.” 
Experience Vapors Of Morphine this autumn at the following venues.TOUR DATES
April / May 2025
Sun, April 27: Gumball Fest, Hunter Valley
Wed, April 30: Crowbar, Sydney
Thurs, May 1: Northcote Social Club, Melbourne
Fri, May 2: Theatre Royal, Castlemaine Vic
Sat, May 3: Vinnies Dive Bar, Gold Coast
Sun, May 4: Crowbar, Brisbane

Tickets available from
www.bigapachee.com.au/batours 

Vapors of Morphine Australia Tour 2025

Sunday, April 27th – Gumball Fest, Hunter Valley, NSW
Wednesday, April 30th – Crowbar, Sydney, NSW
Thursday, May 1st – Northcote Social Club, Melbourne, VIC
Friday, May 2nd – Theatre Royal, Castlemaine, VIC
Saturday, May 3rd – Vinnies Dive Bar, Gold Coast, QLD
Sunday, May 4th – Crowbar, Brisbane, QLD

A short film by Dana Colley, soundtrack by Morphine

In the fall of 1995, Dana Colley, who learned to shoot and edit while studying at the Massachusetts College of Art and Design, brought a Super 8mm camera on Morphine’s tour in France and Japan. A fan of experimental filmmakers Saul Levine, Stan Brakhage and Phil Solomon, he used the camera as a creative outlet to capture snapshots of life on the road.
After Mark’s passing, Dana decided he wanted to do something with the footage as an homage. Filmmaker, photographer and musician Tom Barman, frontman for the band dEUS who toured extensively with Morphine, contributed the black and white concert footage. Both were transferred to beta and edited with Derek Stokes at manager Deb Klein’s offices in Brighton. 
The soundtrack is from an impromptu jam recorded at Hi-n-Dry. During a break from a recording session, Dana picked up a classical guitar and started playing. Billy Conway soon joined in on drums. Mark, who was making coffee in the kitchen, came back and picked-up his trombone, the first instrument he’d played in high school. After everyone else had gone home, he put down a vocal track. Dana realized the song would work well with the slowed-down pace of the footage and Come In Houston was born.